TANK MAGAZINE

DON SININI:

fresh from the release of his second EP, ‘Sun, Sea and Sinini’, our latest mix is from London-based vocalist and producer Don Sinini

BEHEADED BY iOS:

filter bubbles and the feminine touch in the photography of Josephine Pryde

FARSIGHT CORPORATION:

in a new project from architect-turned-artist Lawrence Lek at Bold Tendencies, a series of virtual-reality promotional videos grapple with the transformation of urban life by AI

REZA ABDOH AT MOMA PS1:

a rare retrospective of the late Iranian performer and artist

QANDEEL BALOCH:

how the death of a Pakistani social media star shook and changed a nation

SOFT:

Urs Fischer’s sumptuously woozy silkscreen prints, made on his iPhone, call into question the effect of technology on memory

TAO LIN:

the divisive novelist returned this year with ‘Trip’, an intimate, nonfiction look into psychedelics. Watch a video of the interview with the author from 2013

THE HEART OF THE RACE:

a powerful record of black women’s lives under the “triple burden” of race, gender and class in Britain has been republished by Verso

LEEDS POSTCARDS:

a selection of darkly funny and irreverent political postcards, published by Four Corners Books, are forms of activism by design

XENOFEMINISM:

Helen Hester’s new book makes a bold proposal to repurpose network-technologies for feminist ends

RHYTHM AND COLOUR:

Richard Emerson charts the life, work and loves of three extraordinary women and forgotten members of the Lost Generation: Hélène Vanel, Loïs Hutton and Margaret Morris

A. G. COOK:

has launched his his own label PC Music for bedroom professionals and slick amateurs. You can expect as much from this dreamy Radio Tank Mix, punctuated with internet buzzwords – “a fast connection, unlimited wifi”

ORGAN TAPES:

watch the video premiere for ‘Seedling’

ONGOINGNESS:

a selection of extracts from Sarah Manguso’s elegant, confessional ode to the art of diary writing, motherhood and time

CLOSE-UP:

lovers of iconic Iranian director Abbas Kiarostami can continue to see his finest films at the Close-Up Film Centre, which shares a name with his 1990 masterwork of docufiction