AFTER THOUGHTS: Atom Egoyan and Nadifa Mohamed discuss problems of translation and trauma in The Sweet Hereafter
Step Bright Up | Issue 27
fronting
- PARIS MATCH: photography by Thierry Van Biesen
- SAVE ME FROM WHAT I WANT: by Tom Morton
- V MALE: by Daryoush Haj-Najafi
- YES LOGO: art by Daniel Pflumm
- QUITTING: Adam Alphabet is features editor of music magazine Play Louder, a rapper and member of cult band Crack Village. At the old age of 22 he’s decided to quit the society of the spectacle
- PULP DICTION: Dictionary by Sam Winston
- BELIEVE IN SOMETHING WHY NOT BELIEVE IN ME: Philadelphia-born sculptor Steven Gontarski’s latest work was recently shown at the Karyn Lovegrove Gallery in Los Angeles under the exhibition name Prophet. there’s a reason for the name, as he tells Lotta Volkova
- LESS ORDER MORE CHAOS: Thai artist Rirkrit Tiravanija talks to Gavin Wade
- SUNNY SIDE UP: photography by Kate Plumb
- SWEET SEXCESS: bored by the mantra of more and more lessness? then turn up the heat Joris Laarman style
- OISN: Los Angeles-based artist Jim Shaw is known for depicting his dreams. now he’s invented “Oism,” his own religion
- NEEDLE AND SPOON: why shouldn’t boys sew
- LIGHT YEARS AHEAD: Cerith Wyn Evans by Agnieszka Kurant
- EYE AM THE MAN: Karl Lagerfeld on fashion, photography and publishing
- MATES: ribbed for her pleasure. photography by Jason Hetheringotn
- SOCKS THAT ROCK: photography by Ali Mobasser
- CLASS ACTION: photography and styling by Sean + Seng
- LIB LAB PACK: fashion for you me and other French people
- BREATHLESSLY: It’s 1959 and Jean-Luc Godard decides to make his first feature film on the cheap and on the quick. Colin MacCabe tells it like it was during the making of a New Wave myth
- YOU CAN DANCE: photography by Anne Deniau
- THE BIG BAG THEORY: photography by Bela Borsodi and Paul Graves
- SOUND GARDEN: what is the colour of architecture when it is drawn to be heard
- THE BIRDS: by Susan Oberbeck
- SPOT THE DIFFERENCE: do cow markings have a message? the answer could lie somewhere in the Swiss mountains. Gerhard Lang on cows and insanity
features
- THE BEST MUSIC IN THE WORLD: Chantelle Fiddy breaks down the most exciting genre in UK music today
- IF WE BUILD THEY WILL COME: Edmund Vallance does Disney
- TRIP TO THE MOON: trip reports compiled by David McCandless
- LOST SOULS: A Book of Field Studies, by Stephen Gill
- DANNY DEMOCRACY DEMAGOGY: every wannabe-star architect has something of the politician bursting to get out
- LIMB BY LIMB: photography by Nathalia Edenmont
- THE NEW FOREST: Richard Billingham has spent months recording the landscape of the New Forest. he talks to Claire Canning about seeing the wood and the trees
- IT’S IN THE TRUNK: photography by Cristobal Palma
- HOME COMFORTS: primal symbols from the memory of a child-adult, Roland Faesser’s constructions are toys for the mind
- SHRINKING CITIES: United Kingdom 27, Germany 26
- NOTHING LIKE THE SUN: David Cantoni’s scorching images
- ROCK GARDEN: Neal Rock produces glistening 3D silicon paint sculpture. what is it? Rock doesn’t want you to know: identity and meaning should be confused
- LESS IS MORE AGAIN: sharp-edged, sleek and no-frills rules
- THE HOUSE THAT JIL BUILT: by Masoud Golsorkhi
- JIL SANDER: spring/summer 2004
- LIGHT READING: photography by Andrea Spotorno, styling by Sanaa Djellal
- PASSION AND PROMISE: mad, bad and delicious to know ladies and gentlemen, meet Olivier Theyskens, creative director of Rochas
- THE MOODY BLUES: photography by Sean + Seng, styling by Shazzy Thomas
- BACK TO THE FUTURE: Daryoush Haj-Najafi talks with Naoki Takizawa head designer at Issey Miyake about fashion’s need to innovate
- PRINTS CHARMING: photography by Masoud, styling by Hannah Bhuiya
- THE NIGHT IS YOUNG: photography by Ranjit, styling by Edward Jowdy
- WATCH MY BACK: photography by Rankin, styling by Grace Goodwood
- PRINTS AND THE NEW POWER GENERATION: Photography by Mariano Vivanco, styling by Hannah Bhuyia
- FLASH FICTION: 10 short stories, written exclusively for Tank