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Summer with Monika

Ingmar Bergman
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Beginning with the romance between a grocery store worker, Monika (Harriet Andersson) and shy delivery boy, Harry (Lars Ekborg), Summer with Monika’s title describes the months the couple spend powerboating around a sunny Swedish archipelago before the walls of domestic life close in. Bergman’s rich and contemplative film traces the maturation of youth to adulthood, as summer turns to winter, and infatuation transfigures into something altogether more complex.

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Summer with Monika
by Ingmar Bergman
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Naked
by Mike Leigh
£3
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Early Summer
by Yasujirō Ozu
£3
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A Woman Under the Influence
by John Cassavetes
£3
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Rashomon
by Akira Kurosawa
£3
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Riddles of the Sphinx
by Laura Mulvey and Peter Wollen
£3
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Fitzcarraldo
by Werner Herzog
£3
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Belly of an Architect
by Peter Greenaway
£3
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Violent Cop
by Takeshi Kitano
£3
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Beauty and the Beast
by Jean Cocteau
£3
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Distant Voices, Still Lives
by Terence Davies
£3
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Caravaggio
by Derek Jarman
£3
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Season 10 – Lives of the Saints

For Season 10 of TANKtv, we consider the lives of the saints: mystical inspiration and prophetic appearances, religious visitations and ecstatic visions, suffering and stigmata. Patience is a virtue not just for this season’s characters, but for its directors, many of whom spent decades at their labour in the pursuit of transcendence. There can be no sainthood without struggle, and for Ingmar Bergman, Pier Paolo Pasolini, Robert Bresson, Margaret Tait, Carl Th. Dreyer, Hirokazu Kore-eda, Christopher Newby, Liv Ullman, Toshio Matsumoto, Timothy Neat, Jamil Dehlavi and Edward Bennett, the divine vision is in the details.

Season 10 – Lives of the Saints

For Season 10 of TANKtv, we consider the lives of the saints: mystical inspiration and prophetic appearances, religious visitations and ecstatic visions, suffering and stigmata. Patience is a virtue not just for this season’s characters, but for its directors, many of whom spent decades at their labour in the pursuit of transcendence. There can be no sainthood without struggle, and for Ingmar Bergman, Pier Paolo Pasolini, Robert Bresson, Margaret Tait, Carl Th. Dreyer, Hirokazu Kore-eda, Christopher Newby, Liv Ullman, Toshio Matsumoto, Timothy Neat, Jamil Dehlavi and Edward Bennett, the divine vision is in the details.

NOW SHOWING
Maborosi
by Hirokazu Kore-eda
Until 07 July
NOW SHOWING
Play Me Something
by Timothy Neat
Until 07 July
NOW SHOWING
Anchoress
by Christopher Newby
Until 07 July
NOW SHOWING
Procés de Jeanne D'Arc
by Robert Bresson
Until 07 July
NOW SHOWING
Faithless
by Liv Ullmann
Until 07 July
NOW SHOWING
Theorem
by Pier Paolo Pasolini
Until 07 July
NOW SHOWING
The Life Story of Baal
by Edward Bennett
Until 07 July
NOW SHOWING
Blue Black Permanent
by Margaret Tait
Until 07 July
NOW SHOWING
Fanny and Alexander
by Ingmar Bergman
Until 07 July
NOW SHOWING
Ordet
by Carl Th. Dreyer
Until 07 July
NOW SHOWING
The Blood of Hussain
by Jamal Dehlavi
Until 07 July
NOW SHOWING
Funeral Parade of Roses
by Toshio Matsumoto
Until 07 July
»
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Season 8 – Escape

For TANK’s eighth season we present ten films spanning eight decades on one of cinema’s most enduring themes: escape. As our collective future appears increasingly blighted by global crises, cinema offers us a way to rethink and reframe how the search for other worlds might generate new ideas for our own. With films by Kryzsztof Kieślowski, Deniz Gamze Egüven, Andrei Tarkovsky, François Ozon, Cristian Mungiu, Hal Hartley, Atom Egoyan, Jean Vigo, Michael Haneke and Louis Malle – offering stories that cross borders, identities and contexts – this season looks at escape anew, not as resignation from our environment, but as re-engagement with it. 

 

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Mustang
by Deniz Gamze Ergüven
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Nostalghia
by Andrei Tarkovsky
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Le Refuge
by François Ozon
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Graduation
by Cristian Mungiu
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Amateur
by Hal Hartley
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Calendar
by Atom Egoyan
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L'Atalante
by Jean Vigo
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Amour
by Michael Haneke
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The Double Life of Veronique
by Krzysztof Kieślowski
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Black Moon
by Louis Malle
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»
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Season 7 – Back to Earth

Humanity’s collective response to the climate crisis has been stifled by an inability to grasp the implications of our histories. Filmmaking’s inherent potential as a time-based medium can offer informative, poetic, or even useful stories that we might draw on as models for coexistence, cooperation and change. Spanning documentary, hard-hitting drama and deadpan comedy, TANK presents ten films selected by the curators at Serpentine Galleries, as part of their multi-year project Back to Earth. Showing films by Agnès Varda, Andrey Zvyagintsev, Gianfranco Rosi, Charlie Chaplin, Luc Jacquet, Bela Tarr, Thomas Vinterberg, Lars von Trier and Babak Jalali. 

 

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The Return
by Andrey Zvyagintsev
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Melancholia
by Lars Von Trier
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The Gleaners and I
by Agnès Varda
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Frontier Blues
by Babak Jalali
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Fire at Sea
by Gianfranco Rosi
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Satantango
by Béla Tarr
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Leviathan
by Andrey Zvyagintsev
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Modern Times
by Charlie Chaplin
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Ice and the Sky
by Luc Jacquet
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The Commune
by Thomas Vinterberg
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»
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Season 6 – Ritual

Rituals create meaning; they raise us from the drab monotony of routine – ritual’s less interesting sibling – and build community, intimacy, narrative. We find ritual everywhere in cinema, not only on screen where myths and legends are retold and refreshed, but also off it, in the muted dialogue between maker and viewer. This season, we present 10 films spanning six decades by directors who train their lens on this ancient human practice, who, in doing so, capture the often unsaid behaviours and gestures that make us us. Showing films by Andrei Tarkovsky, Andrew Haigh, Andrey Zvyagintsev, Jean-Luc Godard, Michael Haneke, Agnès Varda, Corneliu Porumboiu, Aki Kaurismäki and Atom Egoyan.

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Leviathan
by Andrey Zvyagintsev
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Le Bonheur
by Agnès Varda
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Police, Adjective
by Corneliu Porumboiu
£3
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Leningrad Cowboys Go America
by Aki Kaurismäki
£3
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The Sacrifice
by Andrei Tarkovsky
£3
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71 Fragments of a Chronology of Chance
by Michael Haneke
£3
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Exotica
by Atom Egoyan
£3
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45 Years
by Andrew Haigh
£3
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Weekend
by Jean-Luc Godard
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The Seasons in Quincy
by Bartek Dziadosz, Christopher Roth, Colin MacCabe, Tilda Swinton
£3
»
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Season 5 – Metamorphosis

Cinema, more than any other other form, makes metamorphosis possible; its superpower, the ability to transform before your eyes. For TANKtv’s fifth season, we look at how directors have taken the theme of metamorphosis to new territories – through original storytelling and formal experimentation – turning individual moments into broader revelations about the human condition. Each express something of humanity's capacity for change, adaption and renewal, as much a picture of our past as it is a blueprint for our future. We are pleased to be showing you 10 films spanning seven decades from the greatest names in cinema, including Andrei Tarkovsky, Wim Wenders, Paolo Sorrentino, Agnès Varda, Béla Tarr, Paweł Pawlikowski, Gabriel Axel, Robert Bresson, Olivier Assayas and Atom Egoyan.

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A Man Escaped
by Robert Bresson
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Andrei Rublev
by Andrei Tarkovsky
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The Clouds of Sils Maria
by Olivier Assayas
£3
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The Sweet Hereafter
by Atom Egoyan
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Turin Horse
by Béla Tarr & Ágnes Hranitzky
£3
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Babette’s Feast
by Gabriel Axel
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Faces Places
by Agnès Varda & JR
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Ida
by Paweł Pawlikowski
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Pina
by Wim Wenders
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The Great Beauty
by Paolo Sorrentino
£3
»
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Season 4 – On Verisimilitude

How to recreate the real? From the early pioneers of the Kino Pravda movement in 1920s Russia to the masters of Cinéma Vérité in 1960s Paris, this question has preoccupied directors for decades. For TANKtv’s fourth season, we look at the innovative and radical ways filmmakers have represented reality, suspending our rational faculties and successfully drawing us into their mimetic spells. This season, we are pleased to be showing 12 films spanning seven decades from the greatest names in cinema, including Andrei Tarkovsky, Michael Haneke, Paolo Sorrentino, Agnès Varda, Louis Malle, Roy Andersson, Andrea Arnold, Hal Hartley, Denis Villeneuve, Peter Strickland, Alejandro Jodorowsky and Mia Hansen-Løve. Through rich storytelling and technical nuance, these directors bring to light cinema's raw power to move and to persuade, and perhaps, to flicker more truthfully than life itself.

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Berberian Sound Studio
by Peter Strickland
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Solaris
by Andrei Tarkvosky
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Father of My Children
by Mia Hansen-Løve
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Wuthering Heights
by Andrea Arnold
£3
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Enemy
by Denis Villeneuve
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La Pointe Courte
by Agnès Varda
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The Seventh Continent
by Michael Haneke
£3
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The Dance of Reality
by Alejandro Jodorowsky
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The Unbelievable Truth
by Hal Hartley
£3
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Il Divo
by Paolo Sorrentino
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You, the Living
by Roy Andersson
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Lacombe, Lucien
by Louis Malle
£3
»
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Season 3 – Sculpting in Time

Sculpting in Time describes the Russian director Andrei Tarkovsky’s distinctive approach to film-making. Film can freeze, fragment and dissect time like no other medium, as free to mirror time’s inexorable linearity as it is to create new, thrilling forms of associative logic. TANKtv’s third season presents a collection of films that deal with this most important of magical powers: the control over time. We look at films spanning five decades that approach time in profound ways, featuring Abbas Kiarostami, Paolo Sorrentino, Agnès Varda, Yorgos Lanthimos, Roy Andersson and more. From the hyper-real to the arcane, each provides its own portal into what Tarkovsky described as the “inner, moral qualities essentially inherent in time itself”.

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Jacquot de Nantes
by Agnès Varda
£3
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Alps
by Yorgos Lanthimos
£3
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Être et Avoir
by Nicolas Philibert
£3
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The Lunchbox
by Ritesh Batra
£3
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A Late Quartet
by Yaron Zilberman
£3
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Archipelago
by Joanna Hogg
£3
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Two Days, One Night
by Jean-Pierre and Luc Dardenne
£3
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A Pigeon Sat on a Branch...
by Roy Andersson
£3
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Mirror
by Andrei Tarkovsky
£3
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The Consequences of Love
by Paolo Sorrentino
£3
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My Dinner With Andre
by Louis Malle
£3
»
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Season 2 – Growing Pains

For TANKtv’s second season, twelve visionary directors return to that first great adventure, childhood – the joyful, dizzying precipice on which we slide and tumble, without yet knowing if its bumps and bruises will strengthen or scar. Childhood is knotted into the history of filmmaking. From cinema’s earliest days onwards, it has been mined relentlessly to produce some of the form’s most instinctive and innovative experiments. This steady preoccupation reveals an eye-opening variety of definitions and concerns. Filmmakers return to childhood because while it is universal, it is rarely identical. Whether delving deep into the turbulent experience of our earliest years or tracing their reverberations into adolescence and adulthood, these twelve films journey back to where it all begins.

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The White Ribbon
by Michael Haneke
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The Class
by Laurent Cantet
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The Adjuster
by Atom Egoyan
£3
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We Need To Talk About Kevin
by Lynne Ramsay
£3
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A Separation
by Ashgar Farhadi
£3
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Le Havre
by Aki Kaurismäki
£3
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Zazie dans le Métro
by Louis Malle
£3
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Ivan's Childhood
by Andrei Tarkovsky
£3
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Our Little Sister
by Hirokazu Koreeda
£3
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In Bloom
by Nana Ekvtimishvili
£3
»
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Season 1 - Beyond Varda

With director Agnès Varda’s death in 2019, the film world lost a leading (and too-often overlooked) member of the Nouvelle Vague, a cinematic innovator and a pioneering voice. Her trademark blend of the deeply personal and highly political seen through a female lens brought new experimentation to filmic form and narrative possibilities, and saw the diminutive Varda cast a long shadow for several generations of filmmakers. This season of TANKtv marks that legacy with 10 films by female directors for whom Varda laid a cinematic foundation.

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The Selfish Giant
by Clio Barnard
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Women without Men
by Shirin Neshat
£3
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Bastards
by Claire Denis
£3
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Lourdes
by Jessica Hausner
£3
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Cleo from 5 to 7
by Agnès Varda
£3
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Corpo Celeste
by Alice Rohrwacher
£3
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Exhibition
by Joanna Hogg
£3
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Orlando
by Sally Potter
£3
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Winter's Bone
by Debra Granik
£3
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Fish Tank
by Andrea Arnold
£3
»
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